Thanksgiving: Girl Praying by Norman Rockwell
November 27, 1943 Issue of The Saturday Evening Post
Thanksgiving: Girl Praying, a Norman Rockwell painting, appeared on the cover of The Saturday Evening Post published November 27, 1943. This is another timeless favorite of Rockwell collectors, a classic for the ages.
An alternate title for the illustration is Refugee Thanksgiving.
This painting was Rockwell's fifth cover for The Post in 1943. In 1943, there were five Norman Rockwell Saturday Evening Post covers published.
This was also Rockwell's 217th cover illustration out of 322 Rockwell painted for the Post. Rockwell's career with the Post spanned 47 years, from his first cover illustration, Boy With Baby Carriage in 1916 to his last, Portrait of John F. Kennedy, in 1963.
The location of the original oil on canvas painting is unknown.
This painting also appears in two Rockwell commentary books. It appears:
A photograph used in painting this illustration is reproduced in Norman Rockwell: Behind the Camera by Ron Schick on page 60. The painting itself is also reproduced in that book on page 61.
I have seen pristine original copies of this magazine cover sell for big bucks on eBay. And to think it only cost ten cents originally! Of course, it was mint condition then, too.
Norman Rockwell's First Serious Subject
This is one of the most somber Norman Rockwell paintings. It is also a favorite of many collectors.
Up to this point in his career with the Saturday Evening Post, Rockwell had not painted many "serious" topics. Most of his cover paintings were lighthearted, humorous subjects. The Willie Gillis series, even though those paintings concerned an American GI in World War Two, were all amusing treatments of that subject matter.
This painting is not amusing. It is, in fact, thought provoking.
This illustration is, in my opinion, the first Norman Rockwell Post cover to seriously and realistically cover a sincere subject. Especially such a sincere subject matter.
Rockwell normally pitched at least two cover ideas at a time. So it could have simply been that the Post editors did not prefer a serious painting from their most famous cover illustrator of all time.
Thanksgiving: Girl Praying
As for the painting itself, the scene is war-ravaged Italy. We can seen broken stone columns lying on the ground, surrounding the girl.
A broken chain, perhaps meant as a symbol, is pictured, with half of it lying on the ground and half on a nearby wall.
The girl is saying grace over a serving of a generous soldier's field rations. We cannot see what the dish is, but is is certainly tastier and more substantial than her usual meal. The war affected everybody and everything in those countries where the fighting was located.
The girl also wears an American GI's olive drab field jacket draped over her shoulders. She has not buttoned it against the cold, so the soldier may have just given it to her a moment earlier.
Her "shoes" are merely rags wrapped around her feet.
And yet she is thankful. This Thanksgiving is better than her previous one.
Rockwell has reminded the American people of the devastation they missed. He is reminding us today that a full belly and warm body is a lot to be appreciative of.
Thanksgiving: Girl Praying was only one of 322 Norman Rockwell Saturday Evening Post covers; Here is the list of Norman Rockwell Saturday Evening Post cover illustrations.
Here is the complete list of all Norman Rockwell magazine covers.
It evokes entirely different emotions than 1942's Chef with Thanksgiving Menu .
(Image Only) Copyright © 1943 Saturday Evening Post & Curtis Publishing Company
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Norman Rockwell Quotes:
I'll never have enough time to paint all the pictures I'd like to.
No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life.
Right from the beginning, I always strived to capture everything I saw as completely as possible.
The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.
I can take a lot of pats on the back. I love it when I get admiring letters from people. And, of course, I'd love it if the critics would notice me, too.
You must first spend some time getting your model to relax. Then you'll get a natural expression.
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