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Easter Morning by Norman Rockwell

Easter Morning by Norman Rockwell
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May 16, 1959 Issue of The Saturday Evening Post


Easter Morning, a Norman Rockwell painting , appeared on the cover of The Saturday Evening Post published May 16, 1959. This is another timeless favorite of Rockwell collectors, a classic for all the ages.

This painting was Rockwell's 305th overall out of 322 total paintings that were published on the cover of the Saturday Evening Post. Rockwell's career with the Post, spanning 47 years, began with his first cover illustration, Boy With Baby Carriage in 1916 and continued through his last, Portrait of John F. Kennedy, in 1963.

This was also the second cover for The Post in 1959. In 1959, there were four Norman Rockwell Saturday Evening Post covers published.

The original oil on canvas painting, 53 x 49 inches or 134.6 x 124.4 cm, is part of a private collection.

This painting also appears in seven Rockwell commentary books. It appears:

  • on page 82 of Norman Rockwell by Karal Ann Marling,
  • on pages 409 and 439 of Norman Rockwell 332 Magazine Covers by Christopher Finch,
  • on page 173 of The Norman Rockwell Album,
  • on page 110 of Norman Rockwell: A Sixty Year Retrospective by Thomas Buechner,
  • as illustration 109 of Norman Rockwell's America by Christopher Finch,
  • as illustration 526 of Norman Rockwell: Artist and Illustrator by Thomas Buechner and
  • on page 223 of Norman Rockwell, A Definitive Catalogue by Laurie Norton Moffatt.

One study is also reproduced on page 224 of the Norman Rockwell Catalogue.

Pristine original copies of this magazine cover bring good prices on eBay, when it is available. And to think it only cost fifteen cents originally! And it was mint condition then, too.




Easter Morning

Giclee Prints on Archival Paper:
From Art.com


Available as Oil on Canvas:
Oil on Canvas Reproduction

Norman Rockwell gives us a humorous glimpse into family life on Sunday morning.

This poor fellow has been unfairly picked on. This may actually be his first Sunday to stay at home in a month or more.

Rockwell apparently felt that the man was somewhat of an imp, as he painted horns into his disheveled hair.

We do not know if he started his newspaper with the sports section, but that is what he is reading at present. The othr sections of the newspaper do not look read yet.

His coffee cup and his ashtray rest on top of some of the sections. He enjoys a cigarette as he slumps into his chair, trying not to be conspicuous.

The man's family is all decked out in their Sunday best, walking single file to the door, headed out to worship.

His wife, modeled by Gail Rockwell, wife of Thomas Rockwell, Norman's oldest son, is giving him the cold shoulder. She has probably had the argument about his non-attendance before and doesn't wish to compromise her own attitude with another discussion.

The twins areboth modeled by the same girl, a technique Rockwell first utilized in 1948's Christmas Homecoming. They echo mother's bearing and resoluteness not to even glance in his direction.

Only the son glances in his father's direction, as if to say "Can I stay home, too?" The son can see those funny papers beckoning him.

This painting was not published until after Easter in 1959. Easter was celebrated on March 29 in 1959.

So, in my opinion, this would be better named Skipping Church.

One little known detail of this painting is that the view out of the big picture window is also the view out of the big picture window at Rockwell's studio.


The May 16, 1959 Saturday Evening Post cover by Norman Rockwell entitled Easter Morning

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Norman Rockwell's Easter Morning (1959)
(Image Only) Copyright © 1959 Saturday Evening Post & Curtis Publishing Company



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Norman Rockwell Quotes:


I'll never have enough time to paint all the pictures I'd like to.

No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!

Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life.

Right from the beginning, I always strived to capture everything I saw as completely as possible.

The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.

I can take a lot of pats on the back. I love it when I get admiring letters from people. And, of course, I'd love it if the critics would notice me, too.

You must first spend some time getting your model to relax. Then you'll get a natural expression.

More at BrainyQuote.

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Norman Rockwell Christmas and Norman Rockwell Thanksgiving Galleries are open.

Norman Rockwell's painting, A Drum for Tommy or Santa with Drum, appeared on the cover of The Country Gentleman on 12/17/1921
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